Spring 2020 – BFA Thesis Exhibition

BFA Thesis Exhibition – online
May 4 – May 17, 2020
Celebrate the culmination of these graduating seniors!
Victoria Morales, Nichole Schiller, Elizabeth Smith, and Caroline Wilson

This exhibition was scheduled to be on display at the TAMU-CC Islander Art Gallery. Unfortunately, the BFA Exhibitions will not be opened to the public as Texas A&M University – Corpus Christi is complying with the Stay at Home Emergency Declaration issued by the City of Corpus Christi.

Continuing to work remotely, the seniors adjusted their exhibitions and have made their exhibitions available to audiences digitally.

To visit the online shows, check out in the links below:

Victoria Morales

Nichole Schiller

Elizabeth Smith

Caroline WIlson

Workshop and Lecture – Richard W. James

TAMUCC Assistant Professor Richard W. James traveled to University of Tennessee Knoxville during Spring term 2020 to teach a workshop on figure sculpture in clay and present a public lecture Thursday, February 20, 2020, at the School of Art. While on the UTK campus, he met with undergraduate and graduate students for studio visits to discuss their work in ceramics.

For more information about Richard’s artwork http://richardwjames.com

OSO BAY BIENNIAL XXI: TAPPED – Student Invitational Exhibition

Exhibition Dates: March 30-July 1, 2020
Due to COVID-19 protocols and university guidelines, this exhibition was installed in the Weil Gallery but was not open to the public. It is available online below.

For more information, please visit TAMU-CC updated frequently asked questions.

Special Thanks to all the faculty and academic institutions who TAPPED recent students and these specific artworks to be included in this exhibition.



Austin Community College – Jill Bedgood
Baba Yaga, Kaylixan McAuley
Sodom, Paul Schuster
Interconnected, Sienna Stolte


Houston Community College – Jessica F. Kreutter
Los Diablos de Teloloapan, Bryan Lagunas
An Empty Seat and Lost Traditions, Mellany Medina
I’m Not Allowed To, Yolanda Osagie
You Want Some Drugs?, Janell Pesquera


Del Mar College – Amorette V. Garza
Sweet Tooth, Rianna Kirkham
Succulent, Rianna Kirkham
Masterstudy of Cellini’s Head of Medusa, Kyana Gallaher
Mastersudy of Chinard’s Jeanne de L’Orrne de L’Isle, Victoria Gibbons


Texas A&M University – Commerce – Josephine Durkin
Lib, Jane Cornish Smith
Hive, Jareth Arcane
Modified, Katie H. Ritche
TBA, David Namaksy

Texas State University – Jennifer Ling Datchuk
Serpent, God of Wind (Serpiente, Dios Del Viento), Joel Nieto
Everyday Joys, Theresa Sawczyn
Lucy, Karly Schlievert
I am Broken Down Again , Hentan Stevenson


University of North Texas – Liss Lafluer
Sirens of Memory, Sean Lopez
Ni la Vida, Ni la Muerte, Diana Rojas-Ponce
Broken and Bruised #2, Stephanie Gerhart


University of Texas at San Antonio – Buster Graybill
Lineage, Omar Gonzales
Santa Sebastiana, Gabi Magaly 
Nocturnal Observation #1, Chris Moncivias
22 ways to wear a belt, Eric Ryberg

Nocturnal Observation #1, Chris Moncivias

Victoria College – Debra Chronister
Holy Nature, Erica Estrada
Windows of Perception, Renee Raven
Crocheted Fossils, Renee Raven
Pent, Ben Sartor
POP Art, Ben Sartor, Natalie Brown, and Design II students 


Exhibition – Leticia R. Bajuyo

TAMUCC Assistant Professor of Sculpture, Leticia R. Bajuyo and fellow Land Report Collective artist Jason Brown, Associate Professor at University of Tennessee, Knoxville were selected for a two-person exhibition at Jacksonville University at the Alexander Brest Art Gallery in Jacksonville, Florida.

Exhibition Dates: February 6-28, 2020
Opening Reception and Gallery Talk: Thursday, February 6, 5-7pm

Titled Exurb, this exhibition focuses on the subject of landscape in which Bajuyo and Brown extend their investigations beyond formal aesthetic elements to include questions of historical context, politics of ownership, and environmental impact.

Leticia Bajuyo transforms suburban stereotypes into symbols and visual markers that delight and at the same time spur a critical stance as she crafts an irony inflected dystopian vision of the suburban fantasy.

Jason Brown creates artwork that engages viewers in a conversation about the environmental cost of energy extraction from the earth as it relates to wants and needs in a consumer culture.

In addition to exhibiting their individual artworks, in response to the Jacksonville area, Bajuyo and Brown created collaborative, site-sensitive installations to facilitate a conversation about landscape in suburban/exurban developments.

The Weil Gallery presents – TAMUCC graduate students

Work in Progress is an exhibition of work by current graduate students enrolled in the TAMUCC MFA Studio Art program. The exhibition will display work in progress across a range of disciplines spanning painting, sculpture, ceramics, photography, printmaking, and installation by MFA candidates Maclovio Cantu IV, Clarissa Gonzalez, Payton Koranek, Laura Monahan, Robert Neal, Jacqueline Negreros, Emmanuel Sanchez, Jamie Speck, and Carlos Israel Villarreal.

Exhibition Dates: February 6 – February 21
Opening Reception: Thursday, February 6, 6:00 – 8:00pm

Interview – Steve Prince

On Friday, October 18, Steve Prince welcomed us to his exhibition ‘Kitchen Talk’ at the Islander Art Gallery. Before his lecture, I had the opportunity to sit down and interview him. He opened up about his personal life, religion, culture, politics, and most importantly, his work. Prince is a Virginia-based artist whose work exemplifies his interests in art, music, and religion, addressing issues of social injustice through a metaphorical language of faith, hope, and creativity

A lot of your works deal with love, social injustice, and faith. Were any of these paintings based on personal experience?  As far as love and faith, I do not see those things broken apart. Personal experience is what I create with. This is my faith, my love for humanity, and my love of self. My work is dealing with historical facts and truths through a spiritual lens. I have created my symbology for my work to communicate this and challenge our ideas. I want people to challenge themselves and others on how they look at the world and how we look at each other.

What is your creative process for starting a new drawing or print? A playground for the creative process I go through is my sketchbook. This is where I practice my drawing daily. I draw anything I see: people, places, nature, etc. Most of my days, I interact with people, so a lot of my drawings consist of people I meet, my girlfriend, my friends, world events. My work has a lot of information compacted into a space that tells a narrative. This forces the viewer to have to sit through and analyze my drawing. My drawings tell stories that each viewer may see differently.

When starting your career in art was there an event, a person, or idea that inspired you to pursue this dream?  Yes, several people helped inspire me. The very first person to inspire me to become an artist was my brother. He is an artist as well. When I was young, I would constantly watch him draw. Then fast forward to high school, I had an art teacher. She saw that I had talent, so she would pull me aside and work with me. Then in college, I had a mentor named John Scott. He was the key person to pull it all together for me. I saw him as a family man, a professor, and a person who was involved with the community. I quickly saw the impact he had on others, which inspired me even more.

Has the current political, cultural, or religious climate influenced your artwork? I see the past, present, and future as an ongoing continuum. I see the past five years just the same as I see the past 10 years or 30 years. Let me know which decade you think is good. Each decade you go back had its own challenges. You can’t go back to America’s infancy and think those are the good days. They were all warped with a lot of challenges, and some deep philosophical social issues that this nation was built upon. So, if I say what has happened in the past two years as far as social and political issues, they are no different than what has already been going on. What is important is being conscious and aware of things. I think too often in the President Obama years everyone thought we had moved to a post-racial era. Then with this past presidency, it seemed that we went back in time. This idea of the post-racial era never existed. This was a time of smoke and mirrors, and people fell asleep on what really was going on around us. My work aims to bring awareness. I am going back in time and forward in time to show people connections. I do this to show the work that we must do to overcome these obstacles.

In your designs, I have noticed a frequent amount of symbolism. Does this come naturally or is it a conscious effort? It is a conscious effort. So much of what I do to develop in terms of symbolism comes from reading, studying, looking at other artist’s work, hearing stories, and spirituality. I take all this information and create my own symbolism.

What advice would you give to an aspiring artist trying to make it in the industry? When I talk to a lot of students, they often express to me a level of fear of the unknown, what comes next. Students often ask themselves what the purpose is of being an artist and what should I say as an artist. These are all great questions you should be asking yourself. These questions allow the opportunity for you to be open and honest with yourself. You will be able to realize who you are and what questions you will want to answer as an artist. As a college student, I continue to work and study. You are very fortunate to be able to take time and study this stuff. How many other people who want to be artists have the time to study this stuff? Many aspiring artists do not have this luxury of being in college. With this privilege of being an artist comes a lot of responsibility. What are you going to say through your work? What are you going to speak to? The first person you should speak to is yourself. You are the first recipient of the work.

Interview done by Wes Jones

Public Art – Students’ Sculptures Take Over the PAC, 2019

For the second year in a row, in collaboration with Jim Moore, director of PAC, Leticia Bajuyo’s sculpture students have created freestanding artworks for the Texas A&M University-Corpus Christi’s Annual Furgason Bravo Series.

Thank you to TAMU-CC Communications Specialist Richard Guerrero for creating this video and web photo story about the student artworks.

Displayed in the PAC lobby for patrons to enjoy before the shows, each piece was influenced and inspired by the unique music of Las Cafateras, this year’s first BRAVO performance, with the architecture of the PAC, and/or the idea of performance. Bajuyo is a strong supporter of interdisciplinary opportunities and encouraged the students to use their work in steel to be complimented by additional materials as they planned, designed, and created these unique sculptures.

These sculptures will be on display October 2019-January 2020.

To see more images of the 2019 sculptures, please visit https://photos.tamucc.edu/Web-Stories/Fall-2019-Webstories/110819-PAC-Sculptures/

Critical Mass 2019, Photo Lucida ~ Portland, OR

Assistant Professor of Photography Jennifer Garza-Cuen’s ‘Buffalo, WY’ series has been included in this year’s Critical Mass Top 50!

View Jennifer’s ‘Buffalo, WY’ series entry HERE

View full gallery of the 2019 Top 50 Photographers HERE

Photolucida is an arts nonprofit based in Portland, Oregon whose mission is to provide platforms that expand, inspire, educate and connect the regional, national, and international photography community.

CRITICAL MASS

Critical Mass is an annual online program that makes connections within the photography community. Photographers at any level, from anywhere in the world, submit a portfolio of 10 images.

Through a pre-screening process, the field is narrowed to a group of 200 finalists who go on to have their work viewed and voted on by over 200 esteemed international photography professionals.

From the finalist group, the Top 50 are named and a series of awards are given. In the past, awards have included a monograph award, residency awards, solo show awards, and group show inclusion. Critical Mass 2020 will open in May, and remain open for submissions for about four weeks.

Visiting Artist – Eric Fuertes

Eric Fuertes works at the School of the Art Institute of Chicago where he is the Manager of the Columbus Digital Fabrication Studio. He creates complex artistic devices that mechanize the process of art making utilizing interdisciplinary, traditional, and digital techniques. His artwork explores socio-political commentary and ideas about production, democratization, and fallacies in contemporary culture.

2011 MFA Northern Illinois University
2007 BFA TexasA&M University – Corpus Christi
2004 AA Del Mar College, Corpus Christi, Texas 

Eric Fuertes will be presenting
Thursday, October 31, 2019 at 4:00-4:50 pm in the Sculpture Studio 116 in the TAMUCC Center for Art. This artist talk if free and open to the public.